Here she is, boys! Gypsy is back on Broadway and Audra McDonald is a Mama Rose for the ages. This new revival breathes new life into one of musical theater’s most iconic works.
Based on the memoirs of famed burlesque performer Gypsy Rose Lee, the show follows the indomitable Mama Rose, a mother determined to turn her daughters into stars, no matter the cost. Set during the decline of vaudeville and the rise of burlesque, Gypsy is both a gripping character study and a poignant reflection on ambition, sacrifice, and the pursuit of success.
First premiering on Broadway in 1959, Gypsy features a book by Arthur Laurents, music by Jule Styne, and lyrics by Stephen Sondheim. The original production was an instant classic, earning critical acclaim and establishing Mama Rose as one of the most coveted roles in musical theater.
Numbers like “Everything’s Coming Up Roses,” “Let Me Entertain You,” and “Rose’s Turn” have become standards, showcasing a score that balances rousing optimism with deep emotional complexity.
This new revival seeks to honor the show’s legacy while offering fresh perspectives. Directed by a visionary creative team, the production highlights the shifting dynamics of the relationships at its core: the relentless Mama Rose, the underestimated Louise, and the overlooked June. With innovative staging and bold new interpretations of the classic score, the revival offers a deeper dive into the themes of family, ambition, and identity.
Over the years, Gypsy has been a star vehicle for some of Broadway’s greatest leading ladies, including Ethel Merman, Angela Lansbury, Tyne Daly, Bernadette Peters, and Patti LuPone. This revival continues that tradition, with a powerhouse performance from its leading actress anchoring the production. The ensemble and creative team bring energy and nuance to the show’s timeless story, while the design elements—evoking the glitz of vaudeville and the grit of backstage life—immerse audiences in its world.
Often hailed as the greatest American musical, Gypsy is celebrated not only for its unforgettable score but also for its rich storytelling and complex characters. This revival reaffirms its place in Broadway history, offering a fresh take on a show that continues to captivate audiences with its blend of humor, heartbreak, and humanity.
Wolfe’s production captures the proper Gypsy flavor. No overwhelming Broadway-style scenery here; instead, we get sets by Santo Loquasto and costumes by Toni-Leslie James flavored with the faded dinginess of the final days of vaudeville. Jules Fisher and Peggy Eisenhauer, longtime collaborators of director Wolfe, provide the evocative lighting. Andy Einhorn is in the pit, leading a rousingly good 25-piece band through the ever-vibrant orchestrations by Sid Ramin and Robert Ginzler with updates, as required, from Daryl Waters of Shuffle Along. For those curious about such things, let us point out that the unfamiliar introduction to the song “Small World” (“Here I been, looking for a suitcase…”) is authentic: it was cut during the 1959 Philadelphia tryout, in conjunction with a scenery mishap. Not an overwhelmingly dynamic discovery, perhaps, but illustrative of how Styne and Sondheim took Rose and Herbie from dialogue to song. If there are minor lapses around the fringes of this production, no matter. First and foremost, this is Audra’s Gypsy. Audra is magnificent, everything’s coming up roses.
That not all this revival’s choices will please everyone is probably a good thing. On occasion, I found myself recalling moments that moved or thrilled me more in earlier productions, just as I did when I saw those productions in the first place. “Gypsy,” like other great works of midcentury American drama — it opened the same season as Lorraine Hansberry’s “A Raisin in the Sun” — rewards a layering of lifetime impressions. Wolfe offers a rich new layer, sufficient in itself, and more so as part of history. Most important, he has given us a way of seeing a star who had to be seen in this role. As “Gypsy” suggests, and McDonald keeps proving, a pioneer woman needs a frontier.
1959 | Broadway |
Original Broadway Production Broadway |
1961 | US Tour |
1st National Tour US Tour |
1961 | US Tour |
2nd National Tour US Tour |
1973 | West End |
London Revival West End |
1974 | Broadway |
Broadway Production Broadway |
1976 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
1989 | Broadway |
Broadway Revival Broadway |
1998 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
2003 | Broadway |
Broadway Revival Broadway |
2006 | St. Louis, MO (Regional) |
St. Louis MUNY Production St. Louis, MO (Regional) |
2006 |
Regional Concert |
|
2007 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
2008 | Broadway |
Broadway Revival Broadway |
2014 | Regional (US) |
Connecticut Rep Production Regional (US) |
2015 | West End |
West End Revival Production West End |
2018 | St. Louis, MO (Regional) |
The Muny Revival St. Louis, MO (Regional) |
2024 | Broadway |
Broadway Revival Production Broadway |
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