Gary Naylor - Page 14

An odd couple find themselves holed up in an Alaskan whiteout with plenty of issues to work through

Mojo and Mickybo are growing up in a city tearing itself apart

Nicholas Hytner can't quite sustain the verve of the first half of a play that says as much about the 21st century as it does the last

Loud and lively, Wildcard's wild Tempest is musical, manic and occasionally magical in a hit-and-miss adaptation

A new satirical comedy that just might remind you of a company just a click away from here

Laughs and learnings from an accomplished, if somewhat lopsided, dramedy

A unique approach to storytelling proves triumphant in a deeply moving production that demands our attention and repays it handsomely.

An imbalance between thematic exposition and dramatic tension means that a promising play fails to reach its full potential

An epic sweep of the millennials' generation told through verbatim theatre, maximising all the opportunities (and problems) that format brings

A boutique Shakespeare, some of the religious aspects of the play are sacrificed for a version that proves to be an accessible, psychological political thriller.

Toby joins Kathryn Hunter and Marcello Magni in Omar Elerian's free, and funny, adaptation of the classic example of the Theatre of the Absurd

Tyrell Williams' debut full length play heralds a much-needed new voice, full of wit and pathos

The extraordinary life of self-described fashion freak, Jean-Paul Gaultier, is recreated in an extravaganza of music, fashion and showmanship for a limited summer season in his beloved London.

Improvisation team revive the spirit of Whose Line Is It Anyway? with plenty of charm but not quite enough laughs

Kathryn Hunter shines in this updated version of a classic exemplar of the Theatre of the Absurd

I did not have the time of my life at Dirty Dancing at the Dominion Theatre

Comedy and magic show with scope to explore its format more fully

Another revival of a beautifully realised crowdpleaser that works perfectly in the difficult days of February 2022.

Derek Jarman, a seminal figure in British culture, is given a 21st century voice in this one-man show

Ambitious new play that examines the iniquitous effect of nostalgia requires greater clarity in its storytelling