Gary Naylor - Page 10

John Hill's play touches on a range of interesting themes, but its narrative meanders and its tension falls away

Brimming with ideas, Richard Harris's play never forgets that its first obligation is to entertain

One of Shakespeare's most political plays is on the nose for our times, but this production doesn't quite have the courage of its aesthetic convictions

Devastating production showcases outstanding writing, directing and acting to create a production that will live long in the memory

Relationships are forged and fractured in the emotional fires of lockdown

A play from an award-winning Spanish playwright that captures our life and times in the UK with a domestic dilemma that raises big questions for the next generation

David J Blair's new play has punch and relevance but may need expanding to fulfil its potential

A show full of good songs, fine singing and engaging characters doesn't quite live up to the sum of its parts

Heartfelt condemnation of treatment of undocumented immigrants let down by structural issues and predictable plotting

A new West End theatre launches with a show that is heartwarming but unnecessarily irritating in its structure and style

Triumphant re-imagining of the film that, incredibly, manages to add edge and poignancy to its extraordinary source material

Tremendous fun from a comedy that is set in the world of theatre but will find echoes in most workplaces

If the show lacks a little in power having been pared back, many more people will have a chance to enjoy a super show

Landmark show that has something for everyone

Nina Segal's new play is hamstrung by an old set up.

Ivy Tiller is a good kid, but life has dealt her a rough hand and, when it gets rougher still, what will she do?

Football opera land perfectly between the Women's Euros and the Men's World Cup finding plenty of common ground to delight fans of both art forms

Laudable sentiment but something of a missed dramatic opportunity in this play about an Afghan family's journey from Herat to Cardiff and the love they found there

Dmitry, a new play, is described as 'After Schiller', but, in its dissection of the ruthless manipulation of a young man aiming for the Tsardom of Russia, one finds parallels more recent blockbusters.

1960s Williams' play that cannot capture the magic of his work in the previous two decades